Saturday, October 29, 2011

Egomania, Runnin' Wild! #DownWithHacks Starts Right Here!

Do independent writers (or even writers in general) have huge egos?

Yeah, most of them (or should I say us?) do.

Hell, mine's bigger than the biggest late 1990's cock ever described to anyone on a Yahoo private message in the age of phones on wires and computers without web cams.

Let's just call that Egomania, brother.  I owe it all to the training, the prayers and the steroids.  WHAT'CHA GONNA DO WHEN EGOMANIA RUNS WILD ON YOOOOOOOOUUUUUUU?

Humph..... Well, I'll tell you what Michael C. Laney is gonna do, brother.

You see, I hear a lot about me, Michael C. Laney/Master Vyle being the go to guy.  Oh, yeah.  Yeah-Ya!  I'm the guy that's not afraid to tell it to you straight.  I'm the guy that tells it like it is.  And the people say, "Man, we love you.  We love you being you and telling it like it is.  Preach on, brother."

Yeah, except for a small segment of Egomaniacs who think it's all good unless it's them.  In the past several weeks I've gotten it from several people.  It actually began a couple of months ago with a friend who told me that they admired me for being who I was and never being afraid to say whatever I thought.  Until that person took exception so something I said.  Then all the sudden I found myself getting talks on fitting in, and playing nice with others.  But, I must admit that that situation is a little off subject, as that is something in my personal life.

Let me get into the writing world.  Independent and fairly independent authors know that place.  You know, the one full of catty and jealous little bitches that would stab you in the back for a penny, or if they feel somewhere inside that maybe you're a better writer than they are.  You know, the place where anyone with less talent than you will do whatever it takes because they're afraid, in a realm where the odds of an indy finding wild and outrageous success is an astronomical anomaly anyway, that you might make it unless they put the kibosh on you.  A world filled with drama queens who put their noses in the air so high it nearly breaks their necks because they're sure that whatever thing they've written is better than anything else anyone else has ever written PERIOD!

There's a term for someone who has no talent and will turn out whatever to make a quick buck, and that term is HACK.  And the only thing worse than a hack is a hack that's an Egomaniac.

Now, it's true that everyone has their own definition of success.  For myself I'll admit it's being out there.  Going to one of many sites that sell eBooks and stories and putting in my name, to see myself listed, to know I am there across the nation and around the world, and that on occasion someone will do me the honor of deciding, Hey, this looks good.  I think I'll buy it and read it.  (Oh, yeah.  I did say do me the honor, because as a published author it's an honor to be read, and not some privilege that I feel I'm granting to someone who wants to spend their hard earned cash to read my works.)

Are all my stories 100% perfect?  No, but I do make an effort to edit them as well as I can, being a one man show.  I continually re-read works I have put out, and I note anything missed in the editing to be corrected as soon as I get the chance.

Are my stories for everyone?  Again, no.  I know not everyone is going to like what I write, and many of my stories cater to a very small demographic.

Are my stories going to get totally positive reviews?  Are you fucking kidding?  In a world where everyone over the age of four has a cell phone or laptop and thinks it's their duty to say whatever they want the answer is no.  I had my first honest to goodness review last month, and everything else up to that point has been "comments".  Truth be told I would like to see a great many more reviews of my works, and that said I am not looking for glowing reviews and recommendations from every person that writes one.  In fact I'm very keen to know what is lacking or may be missing from a work.  Its weaknesses as well as its strengths.  Because I may be an Egomaniac like everyone else in this business, but I also strive to tell the best story I possibly can.

So what is it the Egomaniac hack wants?  Well, to quote the late Too Short. "If you ax-sss me what it's all about I'll say it's about that money."

Yeah, you know.  Money, the great motivator.  It's motivated writers with little or no talent to crank out stories and publish them by any means necessary in the hopes of getting a few quick bucks in their pockets for at least the past two centuries.  For years I used to look at so many crappy stories and know that the only difference between me and them was that they were writing shit, but somehow had enough start up money to hire an agent to fence their crap to third rate publishers, who would sell them to book brokers, who would in turn sell them to book stores.  Now in the 21st Century, the age of the Internet and eBooks, the opportunity has finally come for me (and many other independent authors and writers) to cut out all those middle men.  I write, I submit it to an eBook retailer, DONE.  Unfortunately most of the hacks have also figured that out as well, along with a new generation of slack hacks and plagiarizers.  Many of those retaining a middle man are in business with someone who also does not give a crap about the quality of the work as long as they make that money.

Now for months I've talked about wanting to start a #DownWithHacks movement, a way to mention whenever you come across a total turd disguised as a literary work and be recognized as someone who cares about quality stories and story telling.  Why care?  For the most obvious reason.  Hacks give real writers a bad name.  They're not authors, or even writers.  They're just people who strung a few related words together between 5 and 100 pages and called it a story in the hopes of making a quick buck or two.  I want to get this rolling and bring writers who actually care about their work together on Twitter and das FaceBooken.  So start using DownWithHacks on Twitter, and I should have a page for the movement on FB within the next day or so.

So why after only talking about this idea here and there for the past few months am I suddenly spurred into action?

I've had some correspondence in regard to reviews over the past couple of days that have really burned my ass.  The first was for a review I had offered to do when an acquaintance asked if I would like a pre-release copy of her new novel, which was an expansion of a short story of hers that I had really liked.  After reading the story I was left with the overall impression that it did not work as a novel.  There were some other issues with the work, so I sent her an e-mail to let her know my concerns and to say that my review would most likely contrast the two versions of the story and focus on some of the technical problems in the story.  This received an indignant response from her letting me know she was "...here to make money" and that "...It would be a shame to get a scathing review on a novel that was not published yet.."

Well, we all have our definitions of success, as well as our own priorities.  I'm refusing to review the work because I will not lie on a review, nor will I endorse a substandard story and suggest anyone reading this blog read it.  Because, yeah, I am the guy that tells it like it is.  I had no problem pointing out flaws from the One Buck Horror collections, some of Jason Darrick's stories, and Jim Bronyaur's novel, and they've had no problem with fault being found in their work.  I do my best to point out a story's weakness and strengths, unless it's a total hack job, which I reminded this author of in my initial e-mail.

Case two.  I was approached by the owner of a small press and her "executive assistant", about the possibility of doing a review on the first straight horror novel from that press because the owner of this little ePublisher liked my review for Ray Sostre's Their First Night Together.  I was flattered and delighted at the offer, especially since the owner of the company is highly endorsing both the novel and its author, assuring me that he's bound for greatness, and that "...you probably will not believe it was written by an 18 year old."

(Just a little spoiler alert, I will use these words again because hell or high water I'm reviewing the work in question as well as its publisher.)  Oh, yeah.  I can definitely believe it was written by an 18 year old.

Halfway through I stopped reading the manuscript.  The story does have a great premise, and the author has a great imagination.  However his inexperience in writing and in life shows a great deal, and the story comes off looking like a 11th grade creative writing assignment.  There were so many problems, so many facts that turned out to be incorrect that I decided to send the publisher an e-mail to let her know a few of the glaring flaws it had, and to let her know that based on what I had seen a review would be less than favorable.

Well, as an independent writer and owner of her own little publishing house she wrote me back in a fashion that let me know that she was an Egomaniac as well.  It was the most surprising thing I had seen since Twisted Twins Productions reviewed my review of Dead Hooker In A Trunk.  My e-mail was slightly reviewed by Madame Publisher, who informed me that readers of erotica and horror did not care about the facts.  Well if that's the case how does everyone know who Stephen King and Clive Barker are but have no idea who Patricia Wallace or Stephen Gresham are?  She also informed me that, and I quote, "I've virgins who write some of the hottest pieces of erotic literature I've read and obviously that comes from the imagination only."

Yes, boys and girls, I think I've found the 2011 House Of Master Vyle WTF! Statement of The Year in that one.

Who is this nameless author and publisher of which you speak?  You're the guy that tells it like it is, right?

All in good time.  Just a little suspense before the review.

The sad thing is with a little work and research the novel in question would be far from horrible.  Given a little guidance I think the author would go far, but it seems he's just another little cog in the great big hack machine who will never advance (or at least not advance as quickly) as an artist because his publisher doubts anyone who reads it is going to care about the facts.

Are you an independent writer or author?  Are you tired of having your work, or seeing the work of your friends stolen by no talent plagiarizers who want to make a buck and a name off your work?  Are you tired of indifferent publishers and third party brokers that want a cut of your work because they made you believe you would not make a dime without them taking your work to a retailer?  Are you sick of getting that look when you say you've been published either on a story site or in eBook form, and knowing that look means they think you will never have any success because "Everyone knows people that publish that way write crap"?

If you're answering, YES, then join the movement.  Show these little hacks, whacks and plagiarizers what you think.  Call them out.  Tag garbage with DownWithHacks.  You read something that rubs you the wrong way, review it.  Because the fact of the matter is, as writers, there's some of that Egomania in you too, and like me you can tell it like it is.

#DownWithHacks !!!   You better lurk out!  WHAT'CHA GONNA DO, WHEN EGOMAINA RUNS WILD ON YOOOOOOOOOUUUUUUU?

Master Vyle

Sunday, October 16, 2011

Review: The Devil's Weekend by Jim Bronyaur


This is another one of those reviews that has kind of been languishing on the back burner.  In fact it's at the top of the list from my review backlog going in order, so here it is at long last.  The Devil's Weekend by Jim Bronyaur is the story of the final murder spree of Oliver Ignis.  Oliver has terrorized his childhood home town of Damon, Pennsylvania since childhood, earning the nickname "The Anything Killer", due to the fact that his crimes are perpetrated a'la Jason Vorhees and Michael Meyers, where anyone can be a victim and anything can be a weapon.  Unfortunately for Oliver his time to kill is coming to an end, with the police and an investigative reporter closing in on his true identity.

Just as Oliver is wondering what his final move might be the Devil appears to him with a unique proposition.  Oliver will be able to kill anyone and as much as he wants for an entire weekend without anything happening to him, weapons can not harm him and he can not be captured.  If he accepts and makes it through the entire weekend, obeying one simple rule that the Devil forgets to mention, then Oliver will be free to continue on living a normal life, only at the cost of his soul.

The concept is innovative and unique, and I found it intriguing as well as original.  I had pretty much expected the story to be a non-stop bloodbath once the meeting with the Devil was over, had been prepared for it before I even started reading the first page.  However Broyaur manages to present Oliver pretty much in the fashion of reality, showing us someone who has had to plan and hide for years slowly adapting to a new situation.  He tests the waters for several chapters, his confidence building, and it is not until closer to the end that he tries to really pick up his pace.

As unique and as innovative as The Devil's Weekend is, it is not without its flaws.  The novel's erstwhile hero, Detective Ralph Samuels, is a heavy handed protagonist who would probably be more at home in a novel set sometime in the 1980's, back when the police had the balls to be a little more rough with suspects and witnesses.  There are a couple of subplots, such as one characters underdeveloped sense of clairvoyance, that seems to be introduced to give the story a more King or Koontz feel, yet falls flat because the information comes out more than halfway into the novel, and really adds zero impact to the story.  There are long tracts of story told before the point of view switches to another character to give an equally long description of the same thing, sometimes done with up to three characters.  I feel the story would have been better served if the POV changes had come a bit quicker, cutting the scenes and intervals down to help the scene in its entirety move at a faster pace.  There are more than a couple of usage errors, so as with many things I have looked over a reviewed this past year Bronyaur needs to watch his tenses.

In his Author's Note at the end of the novel, titled This Novel Shouldn't Have Happened, Bronyaur admits that the idea for the story had come to him and that the novel was written quickly.  And I agree, this novel was written and published quickly, a little too quickly.  I'm not necessarily going to slam Bronyaur as I pretty much rushed The Sound Of her MASTER'S VOICE into publication on the spur of the moment, and here eight months later I am slowly going through it to remove misspellings, and other simple corrections I didn't take the time to do in the moment.

It is in the Author's Note that Bronyaur says that the character of Gary Thas becomes a "show stealer", which he does despite the fact that this character is barely seen or even relevant, until well into the last quarter of the book.  I hate to imagine what another author's characters or story should be, but my own writing instinct tells me that this novel was not the story of a serial killer, but the story of two serial killers, one overly active and the other (should have) been presented as having been dormant for several years.  Had this novel been split more evenly between Oliver and Gary (making Gary into a serial killer as well), instead of being 98% about Oliver and 2% Gary, who suddenly causes his downfall at the end of the story, it would have taken it to a higher level, perhaps even into Six Star territory.

For all it faults The Devil's Weekend is not some hack novel that should be avoided.  On the contrary, just like with Thomas Scopel's Twitch, it is worth a look at to get a look at the parts that do work, Bronyaur's story telling and his unique take on a cautious and careful serial killer suddenly unleashed to kill without fear of consequence that is presented in a realistic manner.  Overall I give The Devil's Weekend Three and A Half Stars, and can't wait to see how Bronyaur's skill and storytelling develop over time.

You can find out more about Jim Bronyaur at his website www.jimbronyaur.com or follow him on Twitter @JimBronyaur.

Here's where you can find your copy of The Devil's Weekend:

Amazon:  http://www.amazon.com/The-Devils-Weekend-ebook/dp/B005ESI8IE
Barnes & Noble:  http://search.barnesandnoble.com/Devils-Weekend/Jim-Bronyaur/e/2940013143326/
Smashwords:   http://www.smashwords.com/books/view/76898

Master Vyle

Review: One Buck Zombies from One Buck Horror


Right in time for the holiday season, that ghost wonderful time of the year, One Buck Horror strikes again, this time with a special All Zombie Extravaganza titled, One Buck Zombies.  Of course you know I was jacked to know that there was a new volume coming out so close to the heels of the release of One Buck Horror: Volume Three, and that it was all about zombies, which of course are all the rage.

One Buck Zombies delivers a set of five zombie tales in the One Buck Horror tradition of being short, sweet and on the cutting edge.  Each story has its own unique style and take on the Romero zombie genre, where the walking dead have a hunger for the flesh of the living!


Here's a look at the stories:

The Best Mother by James Owens
No one wants to play with Jimmy after his mother's accident.  Even his father turns away with the passage of time.  But he will never leave his mother, and she wall always be there to protect him.  As always the editors at OBH have a way of picking the perfect lead in story.  It reminded me of Brian Rappatta's The Dead March and that new classic, Fido, due to similar themes and story elements, but beyond that The Best Mother is its own story.  Five Stars!

The Levees Of The Styx by David Dunwoody
A fallen scientist finds himself trapped in a tunnel with a young girl with a dwindling supply of food, and a gun containing only two bullets.  The story starts out fairly strong, but then goes down a slight slope once an explanation of how the zombie plague started is added to the story.  The story does however leave the reader hanging with an ambiguous ending that I though was great, because for the last few pages I was expecting to see a rehash of the ending of Stephen King's The Mist (the hopeless film ending that is).  Three and a Half Stars.

Little Red Zombie Hood by Alana I. Capria
I spent a majority of the time wondering where this story was going, and what possible point Capria was trying to make with it.  In OBH's guidelines it states they are not looking for "torture porn", and this story seems like zombies, werewolves and torture porn all mixed together.  Little Red was a zombie baby in the womb, so of course she is born pretty much the way you'd expect.  The Grandmother takes her in and arms her against wolves and man, which she dispatches with sick and gory glee for pretty much the entire length of the story.  Again this is one of those stories that someone else might be able to find merit in, but I found it to be a mix of concepts from the Dawn Of The Dead remake, the Saw series, and Diana Trees at her harshest, though not done well.  By far the weakest story in the collection from the standpoint that it is a story, as well as being the weakest story in the entire One Buck Horror series.  Two Stars.

He Stopped Loving Her Today by James R. Tuck
A man hides out in a home repair and improvement store as a zombie horde that includes his wife mills around, ever circling.  It is one of those stories you just know how it's going to end, but the fact is made up for by excellent storytelling that aims at the heart and tugs at it.  If you've ever known true love then you can feel the pain of a man who has lost absolutely everything that he ever cared about.  I do not want to give anymore away, as this story goes above and beyond.  Six Stars!

Mother Sisyphus by Robert Davies
Reading this story you begin to feel that you've found a story that is unique for the gut munching zombie genre, a story of hope.  Then you reach the hopeless and disgusting end to realize that at any rate the story is still unique.  A well told tale that harkens back to the extreme films of the golden age of Italian cannibal/zombie films while adding its own legacy.  Thus far the best ender in a One Buck Horror collection.  Five Stars.


Overall One Buck Zombies is a five star collection that continues to prove that One Buck Horror is perhaps the best anthology series that presents some of the best stories from the new voices of independent horror.  I'm not sure if there will in the future be specials that will be all vampire or werewolf, but I have a pretty good feeling that somewhere down the road there will be a One Buck Zombies: Volume Two!  At any rate at least I hope there will be.



Here's where to get your copy of One Buck Zombies:

Amazon.Com:   http://www.amazon.com/dp/B005TVK6B8
Barnes & Nobel:   http://search.barnesandnoble.com/One-Buck-Zombies/Christopher-Hawkins/e/2940013259706
Smashwords:   http://www.smashwords.com/books/view/95193

Be sure to lurk for this one kids!  Required reading for the ghost wonderful time of the year!

Master Vyle